Tarzan by Rich88: the game window on 1xBet in Mauritania

Tarzan on the 1xBet site for Mauritania: what this page holds

Tarzan is one title in the slots catalogue of the official 1xBet site for Mauritania; the studio Rich88 made it, and its tile on the shelf of reel titles is where the window behind this address is opened from. No season and no international break apply here; the shelves stay open at night and at midday alike, even when not a single league is playing.

What the page leaves out is the inside of the title. Artwork, symbols, the paths that count and any extra phase are chosen by the studio and written into the rules panel of the window, where they differ from one title to the next. The site supplies the rest: the sign-in, the balance in ouguiya, the list of rounds and the cashier, and those parts read the same whichever title is open.

Opening the title on a phone or a computer 📱

The address of this page opens in the browser of a phone as it stands, and the same window appears on a computer screen with more room around it. A vertical layout tucks history, rules and settings behind one icon, so an extra tap replaces what stayed permanently visible on a desktop.

A wide field takes the whole width of a phone and shrinks every symbol, while a vertical field uses height and keeps cells legible without turning the device. The layout the studio drew for Tarzan is visible on its first screen, and one round, staked or not, shows whether the symbols stay readable when the phone is held at arm's length.

Signed out and signed in: what the window allows

A trial round on practice figures, where Rich88 built one into this title, needs no account; a round for ouguiya needs the account signed in, whatever the title. What it cannot reproduce is how decisions feel when the money is yours; hesitation works differently once a real balance is on the line.

Launching a round while the previous animation is still running tells you something useful, as the title either cuts the sequence short or holds the press until it ends. The account itself is opened once, through the sign-up form of 1xBet, and the same login then serves the sport line, the live section and every tile of the catalogue.

The amount per round, in ouguiya

In part of these titles the stake is built from two separate settings, the unit value and the count of paths kept, and the round total comes from the two multiplied. In Tarzan the selector shows its values in ouguiya (MRU), and the amount on display at the moment of the press is the amount taken, with nothing added by the site.

Rounds follow one another quickly, and a balance planned for a whole evening can go in minutes when stakes are placed back to back. There is no separate purse for games: the sum leaves the main balance of the 1xBet account, the same figure the sport pages show, and a deposit made through the cashier of the account serves this title and every other page alike.

One round, from the press to the settled balance

What a round costs comes from the per-line amount multiplied by the lines kept in play, and that total sits on screen before the button is touched. What the window shows while the field turns is presentation; what it shows once the field rests is the result, and the balance readout moves at that same moment.

The outcome of a round does not depend on the ones before it, and nothing accumulates from one launch to the next across an evening. Between two rounds the window waits: the amount stays as set, the field keeps its last picture, and nothing moves until the next press or the next step of a running series.

A counter on screen shows the rounds left and drops by one at every launch, so the progress of the run is followed without keeping count. On the titles that carry the switch, its panel lists the stop conditions the studio provided; a title without it takes one press per round, and nothing else in the window changes.

Field, paths and the symbols the paytable of Tarzan may name

The elements on display split between those that pay on a plain match and those that open an extra sequence once enough of them show up on the field. Where the field is built of bands and rows, their count is seen on the first screen, and whether the title counts declared lines, runs of neighbours or clusters is stated in its paytable.

In card games the same trade-off returns as the number of hands taken at once, each of them settled separately when the deal closes. The line of the rules that names the counting mode also says what a full round costs in ouguiya.

Every symbol described below exists in Tarzan only if its paytable names it; a title designed without one shows no trace of it. It sometimes pays in its own right, the table granting a value to a run made up of this symbol alone, with no substitution involved. Where the rules restrict the bands that symbol may land on, or the symbols it cannot replace, the restriction is set out in the same panel.

Past the threshold, every additional copy moves the payment to the next step of the table, each quantity carrying an amount of its own. How many of them are needed is a figure of the title, printed in its rules.

A second trigger occurring inside the sequence extends it in titles built that way, rather than closing it down and opening a separate one afterwards. A series of that kind ends on its own, and the balance is drawn on again only from the next ordinary round.

A value sitting on the grid with no winning combination in the same round changes nothing, since it needs a result to act upon before it counts. A round that shows no such coefficient has simply produced none, and its value, where it appears, is the one the rules state.

A confirmation window spells out what is being bought before the sequence starts, and nothing is registered until that step has been accepted. Where this title carries that button, the amount it asks is shown in ouguiya before confirmation; where it does not, the extra stage is reached through ordinary rounds or is absent from the title.

Payment comes out of a shared reserve rather than the round's paytable, which sets it apart from an ordinary result read off the grid. A counter of that kind appears only in a title built around such a pool, and its rules say how the pool is released; every other title settles its rounds from the paytable alone.

The list of rounds in the account

An interrupted round shows its status, completed, cancelled or returned, which removes the guesswork when the screen closed before the result appeared. The list is a page of the account rather than of the title, so the rounds of Tarzan stand there beside rounds from every other game, in the order they were played.

Thinking in rounds rather than in ouguiyas makes the plan concrete: a balance divides by the chosen stake, and that count is far easier to watch than a total in motion. The window can be closed between two rounds and reopened later, with the last entry already in the list.

Is it the tempo and the look you were after?

For the same amount of time at the screen, a brief format runs through far more turns than a developed staging, and that density shows within the first minutes. A single round, watched with the sound on and then off, gives the pace of this title.

Menus follow the language of the account, while symbol names often stay as they were drawn into the original title. The look of this title is already on its tile, and the window only confirms at full size what the tile promised.

Filtering by mechanic cuts the list down faster than scrolling, especially when the starting idea fits in one word: live, reels or numbers. When neither the pace nor the look is the one wanted, the quick games of the 1xGames section are built on a different kind of round, and the index of studios leads to whatever else carries the signature of Rich88.

Closing the window

The section stays open at any hour, and a walk through its categories is enough to see what sits there before anything is staked. Leaving Tarzan takes one press on the cross of the window, which lands back on the tile; the main page of 1xBet in Mauritania is one step further back, with the sport line and the live section laid out on it.