Crown of Africa by BEON: the game window on 1xBet in Mauritania

Crown of Africa on the 1xBet site for Mauritania: what this page holds

Crown of Africa is one title in the slots catalogue of the official 1xBet site for Mauritania; the studio BEON made it, and its tile on the shelf of reel titles is where the window behind this address is opened from. Learning takes minutes: a button, an amount and a playing field describe most of the screens here.

What the page leaves out is the inside of the title. Artwork, symbols, the paths that count and any extra phase are chosen by the studio and written into the rules panel of the window, where they differ from one title to the next. The site supplies the rest: the sign-in, the balance in ouguiya, the list of rounds and the cashier, and those parts read the same whichever title is open.

Opening the title on a phone or a computer 📱

The address of this page opens in the browser of a phone as it stands, and the same window appears on a computer screen with more room around it. On a live table the video claims the upper half and the chat folds into a tab, so a phone forces a choice about what stays on screen.

On a tablet some builds widen the margins instead of enlarging the symbols, so the comfort gained comes from the space around the field, not from the field itself. The layout the studio drew for Crown of Africa is visible on its first screen, and one round, staked or not, shows whether the symbols stay readable when the phone is held at arm's length.

Signed out and signed in: what the window allows

A trial round on practice figures, where BEON built one into this title, needs no account; a round for ouguiya needs the account signed in, whatever the title. This is where speed settings and automatic play get tried out, showing what each one does to the flow before any stake rides on it.

The trial credit runs out like any other, and reloading the page puts it back to its starting point, so a test can be stretched as long as it stays useful. The account itself is opened once, through the sign-up form of 1xBet, and the same login then serves the sport line, the live section and every tile of the catalogue.

The amount per round, in ouguiya

The paytable states results for one unit of stake while the screen shows them already multiplied by the value in force, so an identical combination reads differently at two settings. In Crown of Africa the selector shows its values in ouguiya (MRU), and the amount on display at the moment of the press is the amount taken, with nothing added by the site.

An automatic run of twenty rounds commits twenty times the set stake, and that arithmetic belongs before the start rather than mid-run. There is no separate purse for games: the sum leaves the main balance of the 1xBet account, the same figure the sport pages show, and a deposit made through the cashier of the account serves this title and every other page alike.

One round, from the press to the settled balance

Some titles slot in a stage where the player points at a cell or an object, and the round stays open until that stage has been played out. What the window shows while the field turns is presentation; what it shows once the field rests is the result, and the balance readout moves at that same moment.

The hundredth round is built exactly like the first: the same stake to place, the same launch, the same result standing free of everything before it. Between two rounds the window waits: the amount stays as set, the field keeps its last picture, and nothing moves until the next press or the next step of a running series.

On a phone the point is mostly comfort: the screen stays readable, the hand stops moving, and the run can be followed without tapping between two rounds. On the titles that carry the switch, its panel lists the stop conditions the studio provided; a title without it takes one press per round, and nothing else in the window changes.

Field, paths and the symbols the paytable of Crown of Africa may name

The number of rows sometimes differs from one column to the next, giving a stepped field instead of an even rectangle. Where the field is built of bands and rows, their count is seen on the first screen, and whether the title counts declared lines, runs of neighbours or clusters is stated in its paytable.

Adding match lines brings small results closer together and pushes large ones further apart, while a low line count does the opposite: fewer hits, wider gaps between them. The line of the rules that names the counting mode also says what a full round costs in ouguiya.

Every symbol described below exists in Crown of Africa only if its paytable names it; a title designed without one shows no trace of it. As an extra phase opens, a few titles draw one ordinary symbol that will hold this role until the sequence ends. Where the rules restrict the bands that symbol may land on, or the symbols it cannot replace, the restriction is set out in the same panel.

The tally is settled only once every reel has come to a stop, so a grid still in motion says nothing about the final count. How many of them are needed is a figure of the title, printed in its rules.

Not every category includes this mechanic; where it does exist, it forms a distinct phase with its own flow, kept apart from the rest of the session. A series of that kind ends on its own, and the balance is drawn on again only from the next ordinary round.

Every title sets a ceiling: the rules list the steps the value can take and the highest figure it ever reaches. A round that shows no such coefficient has simply produced none, and its value, where it appears, is the one the rules state.

The rules screen describes the paid entry and the usual trigger in one and the same section, so a single reading covers both routes. Where this title carries that button, the amount it asks is shown in ouguiya before confirmation; where it does not, the extra stage is reached through ordinary rounds or is absent from the title.

The meter climbs on a share taken from every round played across the games connected to it, no matter which screen that round came from. A counter of that kind appears only in a title built around such a pool, and its rules say how the pool is released; every other title settles its rounds from the paytable alone.

The list of rounds in the account

The record settles doubtful cases, a connection lost mid-round, a page reloaded too early, uncertainty about what was actually confirmed, because the stored entry shows what happened. The list is a page of the account rather than of the title, so the rounds of Crown of Africa stand there beside rounds from every other game, in the order they were played.

Pace differs from one title to the next: the same planned number of rounds fills an evening on a slow game and disappears in minutes on a fast one. The window can be closed between two rounds and reopened later, with the last entry already in the list.

Is it the tempo and the look you were after?

Section labels say nothing about pace: under one heading sit turns settled in seconds alongside others that roll out a full presentation before the result appears. A single round, watched with the sound on and then off, gives the pace of this title.

The game's own settings usually separate effects from music, which keeps the useful sound cues while the background loop goes quiet. The look of this title is already on its tile, and the window only confirms at full size what the tile promised.

Name and thumbnail say next to nothing about the mechanic; the family a title sits in stays the most dependable clue before its card is opened. When neither the pace nor the look is the one wanted, the quick games of the 1xGames section are built on a different kind of round, and the index of studios leads to whatever else carries the signature of BEON.

Closing the window

Everything shows in ouguiyas with no conversion to work out, and the section can be explored at whatever pace suits you. Leaving Crown of Africa takes one press on the cross of the window, which lands back on the tile; the main page of 1xBet in Mauritania is one step further back, with the sport line and the live section laid out on it.