Treasures of Aztec by PG Soft: the game window on 1xBet in Mauritania

Treasures of Aztec on the 1xBet site for Mauritania: what this page holds

Treasures of Aztec is one title in the slots catalogue of the official 1xBet site for Mauritania; the studio PG Soft made it, and its tile on the shelf of reel titles is where the window behind this address is opened from. The section is sorted by mechanic rather than by discipline, so live tables with a dealer, reel games and number draws each sit in their own family with their own controls.

What the page leaves out is the inside of the title. Artwork, symbols, the paths that count and any extra phase are chosen by the studio and written into the rules panel of the window, where they differ from one title to the next. The site supplies the rest: the sign-in, the balance in ouguiya, the list of rounds and the cashier, and those parts read the same whichever title is open.

Opening the title on a phone or a computer 📱

The address of this page opens in the browser of a phone as it stands, and the same window appears on a computer screen with more room around it. A vertical layout tucks history, rules and settings behind one icon, so an extra tap replaces what stayed permanently visible on a desktop.

When the controls are pinned to one side, only the thumb on that side reaches them, which decides a lot for anyone holding the device in one hand. The layout the studio drew for Treasures of Aztec is visible on its first screen, and one round, staked or not, shows whether the symbols stay readable when the phone is held at arm's length.

Signed out and signed in: what the window allows

A trial round on practice figures, where PG Soft built one into this title, needs no account; a round for ouguiya needs the account signed in, whatever the title. The practice counter returns to its opening figure when the page reloads, so the same look can be taken again as often as needed.

If an extra stage opens during the trial, following it to the end gives the measure of how much time it takes once running. The account itself is opened once, through the sign-up form of 1xBet, and the same login then serves the sport line, the live section and every tile of the catalogue.

The amount per round, in ouguiya

Every title carries its own range and its own default, so a setting kept in one game does not follow into the next, where the panel starts from its own opening figure. In Treasures of Aztec the selector shows its values in ouguiya (MRU), and the amount on display at the moment of the press is the amount taken, with nothing added by the site.

On a board with several zones, one round can cost the sum of every zone covered, and it is that total which leaves the balance. There is no separate purse for games: the sum leaves the main balance of the 1xBet account, the same figure the sport pages show, and a deposit made through the cashier of the account serves this title and every other page alike.

One round, from the press to the settled balance

Nothing takes a press back: once launched, a round runs to its end and cannot be recalled. What the window shows while the field turns is presentation; what it shows once the field rests is the result, and the balance readout moves at that same moment.

A run of similar results changes nothing for the round that follows, since it plays out on the same terms as the very first one. Between two rounds the window waits: the amount stays as set, the field keeps its last picture, and nothing moves until the next press or the next step of a running series.

The display often speeds up once the series is running: rounds follow each other faster, so the balance moves at a quicker pace than in manual play. On the titles that carry the switch, its panel lists the stop conditions the studio provided; a title without it takes one press per round, and nothing else in the window changes.

Field, paths and the symbols the paytable of Treasures of Aztec may name

The number of rows sometimes differs from one column to the next, giving a stepped field instead of an even rectangle. Where the field is built of bands and rows, their count is seen on the first screen, and whether the title counts declared lines, runs of neighbours or clusters is stated in its paytable.

When the count is lowered, lines drop away in a preset order, the last ones in the table going first, with no choice left to the player over which. The line of the rules that names the counting mode also says what a full round costs in ouguiya.

Every symbol described below exists in Treasures of Aztec only if its paytable names it; a title designed without one shows no trace of it. The list of symbols it replaces is sometimes shorter than the full set of paying symbols, and the help screen names them one by one. Where the rules restrict the bands that symbol may land on, or the symbols it cannot replace, the restriction is set out in the same panel.

Across a large share of titles they act as the key to the extra phases, a job that no ordinary paying symbol ever takes on. How many of them are needed is a figure of the title, printed in its rules.

Some builds stack stages inside the phase, where reaching the stated target opens a further set of rounds played on a different grid. A series of that kind ends on its own, and the balance is drawn on again only from the next ordinary round.

Scope is written into the rules: the whole round total, a single line, or one combination alone, depending on how the game itself is built. A round that shows no such coefficient has simply produced none, and its value, where it appears, is the one the rules state.

At an equal stake value the entry price differs from title to title, each game setting its own ratio between the two. Where this title carries that button, the amount it asks is shown in ouguiya before confirmation; where it does not, the extra stage is reached through ordinary rounds or is absent from the title.

The figure shown above the playing field refreshes continuously, and it can move between two rounds without anything at all being done on your side. A counter of that kind appears only in a title built around such a pool, and its rules say how the pool is released; every other title settles its rounds from the paytable alone.

The list of rounds in the account

Balance movements appear round by round, so a total can be traced back to the exact game that produced it instead of being reconstructed from memory. The list is a page of the account rather than of the title, so the rounds of Treasures of Aztec stand there beside rounds from every other game, in the order they were played.

The balance shown in ouguiyas updates after each round, and checking it at chosen intervals rather than every single time is enough to know where the session stands. The window can be closed between two rounds and reopened later, with the last entry already in the list.

Is it the tempo and the look you were after?

Draw-based titles run on a fixed interval, so the cadence belongs to the draw itself and neither waiting nor pressing sooner changes it. A single round, watched with the sound on and then off, gives the pace of this title.

When background animation pulls the eye more than the grid itself, the fix stays simple: pick a plainer presentation inside the same section. The look of this title is already on its tile, and the window only confirms at full size what the tile promised.

With a match running live on another screen, a game that asks for no decision during the round lets you follow both without losing either. When neither the pace nor the look is the one wanted, the quick games of the 1xGames section are built on a different kind of round, and the index of studios leads to whatever else carries the signature of PG Soft.

Closing the window

Moving from the sports side to the games section runs through the main menu of the official 1xbet site, with no fresh login and nothing extra to type. Leaving Treasures of Aztec takes one press on the cross of the window, which lands back on the tile; the main page of 1xBet in Mauritania is one step further back, with the sport line and the live section laid out on it.