Pirate Queen 2 by TaDa Gaming: the game window on 1xBet in Mauritania

Pirate Queen 2 on the 1xBet site for Mauritania: what this page holds

Pirate Queen 2 is one title in the slots catalogue of the official 1xBet site for Mauritania; the studio TaDa Gaming made it, and its tile on the shelf of reel titles is where the window behind this address is opened from. A few number games follow draws at set times, and that is the only kind of timetable the section knows.

What the page leaves out is the inside of the title. Artwork, symbols, the paths that count and any extra phase are chosen by the studio and written into the rules panel of the window, where they differ from one title to the next. The site supplies the rest: the sign-in, the balance in ouguiya, the list of rounds and the cashier, and those parts read the same whichever title is open.

Opening the title on a phone or a computer 📱

The address of this page opens in the browser of a phone as it stands, and the same window appears on a computer screen with more room around it. Handing over from Wi-Fi to mobile data cuts a filmed table until the link is back, while an automatic screen picks up where it stood.

Where the start button sits matters as much as the grid: under the thumb, turns follow one another one-handed; placed high, it forces a change of grip each time. The layout the studio drew for Pirate Queen 2 is visible on its first screen, and one round, staked or not, shows whether the symbols stay readable when the phone is held at arm's length.

Signed out and signed in: what the window allows

A trial round on practice figures, where TaDa Gaming built one into this title, needs no account; a round for ouguiya needs the account signed in, whatever the title. Opening two titles the same evening compares them where it counts: how legible the figures are, how clear the messages read, how many taps a restart takes.

Testing on the usual connection shows what happens after a drop: the title either picks up where it stopped or asks for a full reload. The account itself is opened once, through the sign-up form of 1xBet, and the same login then serves the sport line, the live section and every tile of the catalogue.

The amount per round, in ouguiya

Every title carries its own range and its own default, so a setting kept in one game does not follow into the next, where the panel starts from its own opening figure. In Pirate Queen 2 the selector shows its values in ouguiya (MRU), and the amount on display at the moment of the press is the amount taken, with nothing added by the site.

The level at which a session closes, up or down, is set before the first round opens rather than in the middle of the play. There is no separate purse for games: the sum leaves the main balance of the 1xBet account, the same figure the sport pages show, and a deposit made through the cashier of the account serves this title and every other page alike.

One round, from the press to the settled balance

A round's result comes back as a multiple of the stake, so the same combination returns in proportion to what was committed at the start. What the window shows while the field turns is presentation; what it shows once the field rests is the result, and the balance readout moves at that same moment.

A round is short: the stake goes down, the game runs, the result shows, and everything starts again from nothing for the next one. Between two rounds the window waits: the amount stays as set, the field keeps its last picture, and nothing moves until the next press or the next step of a running series.

Closing the game window ends the run, and nothing keeps turning in the background once the title has been left. On the titles that carry the switch, its panel lists the stop conditions the studio provided; a title without it takes one press per round, and nothing else in the window changes.

Field, paths and the symbols the paytable of Pirate Queen 2 may name

Part of these mechanics drop lines altogether: matching symbols count as soon as they touch, starting from one side of the field, with no path imposed beforehand. Where the field is built of bands and rows, their count is seen on the first screen, and whether the title counts declared lines, runs of neighbours or clusters is stated in its paytable.

Opening an adjustable title at its lowest count shows the shape of the base paths first, before the grid is widened for good. The line of the rules that names the counting mode also says what a full round costs in ouguiya.

Every symbol described below exists in Pirate Queen 2 only if its paytable names it; a title designed without one shows no trace of it. This symbol steps into the place of a missing ordinary symbol, letting a combination that stopped one position short come together after all. Where the rules restrict the bands that symbol may land on, or the symbols it cannot replace, the restriction is set out in the same panel.

Counting happens across the whole screen, where the number of copies on view decides the outcome rather than the order in which they appear. How many of them are needed is a figure of the title, printed in its rules.

The symbol list is often shortened inside the sequence, with low-value icons leaving the draw so the grid fills from a smaller set. A series of that kind ends on its own, and the balance is drawn on again only from the next ordinary round.

Every title sets a ceiling: the rules list the steps the value can take and the highest figure it ever reaches. A round that shows no such coefficient has simply produced none, and its value, where it appears, is the one the rules state.

Settings picked before the press travel with the phase from start to finish, with no way to adjust them once it is under way. Where this title carries that button, the amount it asks is shown in ouguiya before confirmation; where it does not, the extra stage is reached through ordinary rounds or is absent from the title.

Nothing accumulates toward a due moment: every round is drawn on its own, however long the meter has been climbing beforehand. A counter of that kind appears only in a title built around such a pool, and its rules say how the pool is released; every other title settles its rounds from the paytable alone.

The list of rounds in the account

When a question goes to support, quoting the exact entry, date, time and game, saves the usual back and forth of requests for detail. The list is a page of the account rather than of the title, so the rounds of Pirate Queen 2 stand there beside rounds from every other game, in the order they were played.

Leaving mid-list costs nothing: the section expects no end of series, and a visit closed halfway picks up later with nothing lost in between. The window can be closed between two rounds and reopened later, with the last entry already in the list.

Is it the tempo and the look you were after?

A short round chains decisions with little dead time, while a long animated sequence stretches each turn and asks you to stay in front of the screen. A single round, watched with the sound on and then off, gives the pace of this title.

Sound effects often announce a change of state before the screen shows it; played muted, a game leaves you relying entirely on what is displayed. The look of this title is already on its tile, and the window only confirms at full size what the tile promised.

A board covered in zones and side options demands more from you than a single-button screen, so match that density to the energy you actually have. When neither the pace nor the look is the one wanted, the quick games of the 1xGames section are built on a different kind of round, and the index of studios leads to whatever else carries the signature of TaDa Gaming.

Closing the window

Everything shows in ouguiyas with no conversion to work out, and the section can be explored at whatever pace suits you. Leaving Pirate Queen 2 takes one press on the cross of the window, which lands back on the tile; the main page of 1xBet in Mauritania is one step further back, with the sport line and the live section laid out on it.